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Kimpton Conservation & Restoration specializes in :
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Examples of work from the conservators' past experiences:
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| (photograph from the National Archives of Canada, Gatineau Preservation Center, Gatineau, Quebec) | ||||||||||||||||||||||||||||||
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The print on the left is a damaged albumen print that was warped, unmounted, torn in several places, and had missing pieces. The image on the right, is the print after restoration and is now ready to be framed and displayed. |
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The first layer of a secondary support was removed from the back of the photograph. The first layer was removed to stop further deterioration of the photograph.
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After the support layer was removed from the photograph, the photos edges curled. |
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The photo was then remounted on to a new archival support. |
The restored photograph is now ready to be framed and displayed. |
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| (photograph from the Musée de la Mode et du Costume-Galliera, Paris, France) | ||||||||||||||||||||||||||||||
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( photograph albums courtesy of The Greenwood Center for Living History, Hudson, Quebec) |
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The photos on the left after restoration were cleaned, restored, flattened, reorganized and repositioned in their windows. The binding of the album on the right was in poor condition, with many pages loosely sitting in the album covers. The pages were cleaned, repaired, the pages were interleaved with tissue and stored in a special storage box. The box was made using PAT tested materials. (The PAT is a test which analyses materials to determine their suitability for the conservation and restoration of photographs. All the materials used by K C & R for treatments are approved by the PAT). |
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| (Photographs from the National Museum of Denmark) | ||||||||||||||||||||||||||||||
| K C & R treated these negatives for the deterioration in the perimeter of the photograph on the left. The print on the right was made from the restored negative. | ||||||||||||||||||||||||||||||
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Consulting and scientific analysis/sampling
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